Pulled Corned Beef on Seared Rye

Irish pub-style

When you go to an Irish pub, whether it’s on St. Patrick’s Day or not, you always hope that you’ll hear an old-timer with an Irish brogue telling a sensational story about buried treasure, leprechauns, luck and some mischief. Then you order your Guinness or Harp and sit back, you can just close your eyes for a minute and let him take you along wherever the story goes.

Suddenly, the aroma of delectable corned beef fills the room and you’re back to reality in the pub, ordering a flavorful sandwich that's stacked high with beef, cheese and just a hint of coarse mustard. This is truly Irish pub heaven.

We wanted to make the shot look like a pub, so we didn’t need a lot of light. We had a large soft source from the right as our main light and a point source from the right as well, to give the image just a touch of sunlight, like from a window. Then, we had another point light source from the back left, as if there was another window on the other side of the pub. We also used a soft light source from above to fill in some contrast.

Make your own -- Pulled Corned Beef & Seared Rye

Steamed & Seasoned Baby Potatoes

The perfect side

Meat and potatoes, chicken and wild rice - some of the best foods in the culinary world are enhanced by their pairing. The side dish doesn't always get the credit it deserves for making the meal complete. These baby Yukon Gold potatoes are steamed perfectly, so when the skin is pierced, the potato is so soft and creamy, it practically melts in your mouth. The potatoes are buttered before cooking for even more savory flavor, and often get another touch before serving, for good measure.

To light this shot, we used a very large soft light source from the left rear, and a point light source from the right rear.  To fill in contrast, we had a light coming in from overhead, and a hand-held mirror, from the front.

These gems were pretty easy to shoot and even easier to make.

Chips with Parmesan Bits....

 Absolutely nothing satisfies a potato craving like a crispy chip. Oven fried or baked, they’re now essentially guilt free. Toss in some Parmesan cheese and coarse salt and these simple chips are ready to enhance a prime steak or chop. 

To light this shot, we started with a large soft light source from the rear left.  This gave us a general light and a little bit of direction.  We then came in from the rear right with a point source.  This light was low, as we wanted it to skim across the surface of the chips and show all the texture of the chips.  After those 2 lights, the shot was too contrasty for our liking, so we used another very large soft light source from directly above to fill in some of the shadows.

The shot was simple too, nothing complicated. Just a few browned and golden-edged slices with highlights in the foreground and enough charred cheese bits to inspire your taste buds.

Easy recipe ~

Steamy Apple Cider

Fall's bounty, with or without the rum.

Okay, so you spent the morning complaining about the end of summer and the afternoon raking leaves. After a long walk with the dog, wearing your favorite sweater, you reward yourself with a warm, golden nectar that fills your kitchen with the soothing aroma of fall. Add allspice, cloves, nutmeg and a cinnamon stick. Better still, add a splash of rum, whiskey or Port. You've come home to the magic of hot apple cider and you're almost ready to face the holiday season.

Make it quickly and easily...

Firing Up The Grill...

It's another grilling season and we can't help but take full advantage of it.  Call it a primal instinct, or just football fever settling in for the winter, but something keeps drawing us back to the grill. In fact, year-round grilling has become increasingly popular.

Each of these shots was unique, but they all had the grill in common.  When shooting pics that require a grill, you can do it in a few different ways.  You can shoot on an actual grill, you can fake the grill, or you can photograph when food has come off the grill.  Each of these shots demonstrates one of these options.  

Shooting on the grill is tough, because you have a limited time to get the shot before you have to pull the food off the set, and shoot the next hero.  But with a good team, it can be done without having to worry.    

We touched on how we created the grill shots in a previous post on our blog.  There we went into detail about each step of the process.  So, if you are wondering how we accomplished the fired-up looks, check out our blog post here.

Mushroom Ravioli...

Making your own ravioli isn’t a job for beginners, but the taste is well worth the effort.

You can see how this shot developed in the "how we did it" photos below.

Once the pasta is created, you can craft the stuffing – cheese, spinach and meat are all fine options, but mushrooms are the pièce de résistance. Don’t bother with a marinara or Arrabriata sauce for this recipe. A basic garlic and oil sauce, aglio olio in Italian, with a winning combination of fresh basil and chopped walnuts, topped with crushed red pepper, shows off the shape of the pasta and complements the mushroom flavor without overtaking it.

Lighting the set was fairly simple. We created a window-lit setting, by placing a large, soft light source on the right, slightly to the back. This light accentuated the beautiful highlights on the sauce that coated each square of pasta. Since the light was relatively close, the inverse square law (the power of the light will be inversely proportional to the square of the distance) was making the left side of the plate darker than we wanted. We brought in a small white card to bounce the light back and fill in the shadows.  At this point, the ravioli appeared somewhat flat and needed a enhancement.  From the back left, we brought in a small point source light to catch the rim of the pasta and add the ‘punch’ we were seeking.

The Stand-in:

Click to Expand

Lamb Chops....

Our client requested both a searing on-grill shot and an impressive plated shot of single rib portions. We started with a full rack of lamb and our food stylist, Janet Middleton, cut the rack into chops. 

Fired-Up Lamb Chops.

The concept was to create an outdoor shot, but keep the control afforded by our indoor studio. We rigged up a stationary grill top, and used a long lens (150mm) to come in close on the food. This accomplished a few key points: 1. We could capture the nicely charred look of the meat and juicy accents. 2. We didn't need to use an actual grill in the studio; using a real grill limited our lighting freedom and perspective. 3. We would have had a large black rim surrounding the food and a very shallow bowl for the coals; we also didn't want it to look like the grill grate was resting right on the coals.


In our set up, we had a huge bed of coals farther under the set, allowing us to use our lights to illuminate them, without affecting our food/set high above it. Creating the appearance of a grill also allowed us to have our light sources unimpeded by the black rim of most grills and we were free to light 360 degrees around the food. We had numerous lighting sources. Again, we wanted to create an outdoor feel, so we had to recreate the sun as well as the sky. We put a very large broad source above the set to emulate the sky and control our shadows and contrast. We then positioned a point source coming from the front right to represent our sun. A meat shot really benefits from specific highlights, so we brought in a "meat light." This is a very small point source light, which we placed behind the meat, to highlight the juiciness and detail on top of the meat. Since our coals and fire were too low to cast any real light from the underside of the grate, we put a point light source under the food as well, to simulate the fire. We also focused a light on the coals, so they would be appropriately lit.


We wanted to show the chops at their tender peak of perfection, so Janet cooked the lamb quickly and achieved well-defined grill marks. We timed the shots beautifully and even caught detailed herb and seasoning particles intact on the surface of the perfectly grilled meat for the plated shot.

The Moist and Tasty Pork Chop....

Nothing says summer, like grillin'...

A griller's choice and challenge,


     An outdoor feel was a must for this summery shot. To keep control, but still have the natural light look from an afternoon sky, we placed a point light source to come from the back right. This light gave us direction and also produced all the specular highlights on the chop.

By doing this, our indoor set became a realistic afternoon sky with a controlled, simulated sun. To create the look of a natural light, you can't just create a sun, you also have to create a sky. We put a large white flat behind the set and wrapping around towards the left, thus creating a sky-like impression and producing a large, unbroken highlight on the sauce. Since the front was going a little dark, we filled in with a mirror to light the front and captured the delectable details of both the meat and potatoes. 

The shoot was fun, fragrant and we all spent a lot of time licking our lips.

White BBQ Pulled Chicken Pizza...

Pizza comes many different ways.  Size, shape, layering, are all something that are different depending on where you are in the country.

A unique White BBQ sauce accents this wonderful pizza.

Chicagoans traditionally think pizza is thick, hearty and the sauce goes on top.  Other Chicagoans think pizza should be on a thin cracker like crust.  This particular recipe is a lot lighter and had more of a crisp taste to it, thus we wanted to keep the crust thin.

The product has a lot going on with it, so we wanted to keep everything else simple and clean.  Our client had this wonderfully weathered pizza stone, and it was an obvious choice when propping to use it.   We had a very large soft light source coming in from the right, to give us our main light direction.  We also had a soft light source coming from directly behind to help give some incidence on the surface and parts of the pizza that have a sheen.

To add some interest, we put a glass shower block on the surface to play with the soft light.  That glass block is giving us the white incidence on the back right of the frame.  The left side of the fame then got empty and dark, so we put a small measuring cup of parmesan cheese to break up that negative space.  We didn't want our shot to be completely flat with soft light, so we brought in a point source from the back left to punch up the contrast and make the shot come alive.

The front of the shot was going darker than we would have liked, so we put a white card on the front left to reflect some of our main light coming from the right, then used a hand held mirror on the front right to reflect the point source light back onto a desired part of the product.

Creamy Pesto with Asparagus over Pasta...

Some people say they don't like too much green food, or even not at all.  Those people have no idea what they are missing.

Pasta and a homemade pesto, topped with shredded parmesan cheese.

This shot was shot for a client.  They really wanted to feature the food, and they realized that with all the pasta, it could get confusing what was going on.  We decided to come in tight and really focus on the heart of the dish.  The propping was all done by our art director who did a fantastic job of splashing the right colors together to feature the pesto.

To light this shot, it was actually very simple.  Our main light was a very large soft light source from the right side.  We wanted to give the natural light looks, so we didn't over light it.  We then put in a small white card close to left side of the bowl, which really filled in the dark holes created by our "sun".  Then to give it just a little bit of pop, we gave it a point light source from the back left.  The food stylist did a great job of keeping this very simple and elegant.  Food styling wise, this shot could have been a nightmare if the stylist wasn't careful.  Pasta can be very difficult to style properly.

Ricotta Crepes with Smoked Salmon....

Of all the things that France has done for the world, is there anything more satisfying than the Crepe?  It forms so perfectly to fit just the right ingredients to make a perfect breakfast. Or any meal for that matter.

Ricotta cheese provides an unexpected tenderness to smoked Salmon-filled Crepes.

A meal that needs to be fresh, we wanted everything about this photo to express that feeling.  The Art Director and Client were here for this shoot, and we all had the same idea of natural light.  So to keep things consistent, we created the natural light by using a combination of soft light and point sources.

But before we could start lighting the food, we had to pick our surface and props.  We started this shot by trying to arrange different props and surfaces, but ultimately everything seemed to take away from the hero of the shot, the salmon.  So we kept everything very subtle and minimal.  This really helped the color of the salmon explode in the photo.